Crank 2: High Voltage is the upcoming sequel to the action film, Crank. It picks up exactly where the first film left off, retaining its “real-time” feel. The film is rated R for “Frenetic strong bloody violence throughout, crude and graphic sexual content, nudity, and pervasive language”. Crank 2 is written and directed by Mark Neveldine and Brian Taylor, who both wrote and directed the previous film, Crank.

Set three months after his destructive run through Los Angeles, Hitman Chev Chelios (Statham) launches himself on a literally electrifying chase through Los Angeles in pursuit of the Chinese mobster who has stolen his nearly indestructible heart and replaced it with a battery-powered heart that requires regular jolts of electricity to keep working

Crank 2: High Voltage origina posters

New Crank 2: High Voltage movie poster

Hollywood must specialize in Faustian bargains. There’s simply too much evidence walking around to deduce otherwise. Consider the once-interesting Brendan Fraser, who now plays second banana to the special effects in “Mummy” movies. Or Scarlett Johansson, mousy and introspective in “Lost in Translation,” now brassy, blowsy and bleach blond. Once upon a time, Whoopi Goldberg won an Oscar. Once upon a time, Chevy Chase was funny.

And then there’s Nicolas Cage.

Let us ask ourselves something: Why is Nicolas Cage a movie star? And why do we care?

The answer, in part, is that Cage — whose latest, “Knowing,” opened Friday — won an Oscar in 1996 for playing a suicidal alcoholic in “Leaving Las Vegas,” a gritty, brutal, honest movie, wonderfully acted (by both Cage and Elisabeth Shue) and which confirmed what a lot of people had long believed: that Cage was the most interesting actor in American movies.

His performance in “Raising Arizona” remains iconic. Likewise, “Wild at Heart.” From the time he was 17 — and got passed over for the Judge Reinhold role in “Fast Times at Ridgemont High” — he was cutting a righteous swath across the screen, in movies that rarely missed such as “Valley Girl” and “Birdy.” He even made an impression in some pretty dubious projects, including two directed by his uncle Francis (Coppola), namely “Cotton Club” and “Peggy Sue Got Married.” Then the Coens cast him in “Raising Arizona.” He became Cher’s one-handed romantic poet in “Moonstruck.” That was followed by “Vampire’s Kiss,” the immortal “Wild at Heart” and a mixed bag of principal roles leading up to director Mike Figgis and “Leaving Las Vegas.”

What happened then bears the infernal reek of sulfur, brimstone and gross receipts. “Con Air,” in which Cage played an unjustly convicted parolee battling a planeload of criminal misfits and psychopaths, was an action thriller — the old adrenaline-fueled thrill ride/riveting roller coaster of a big old movie. Yes, Cage had appeared in “The Rock” immediately after winning his Best Actor statuette (thus abandoning idiosyncratic leading manhood forever), but it was “Con Air” that made Cage fans sit up and say “Wha . . . ???” (Significantly, Steve Buscemi was in the movie, too, sliding into the Beloved Character Actor slot that Cage was so busily abandoning, in a flick that was about as cynically brainless as anything in the history of mall movies.)

And so it has been, with few detours from the action star/blockbuster track upon which Cage has trod with particularly graceless aplomb, and virtually no humor at all, except on top of his head, where his hair is continual source of mirth and mystery, because you never know what it’s going to do, where it’s going to go or to whom it once belonged. Some favorites: the punky cut of “Ghost Rider” (2007), with its black spikes and bangs; the inky-looking Franz Liszt arrangement of last year’s bewildering “Bangkok Dangerous.” Or the gravity-defying-do of “Lord of War” (2005), which was Cage’s best performance in years, because it returned him to a realm of moral ambiguity and outsider status, precisely where his talent thrives — rather than as a low-rent Indiana Jones (“National Treasure”), a thoroughly unconvincing Italian lover (“Captain Corelli’s Mandolin”) or anyone named Memphis Raines (“Gone in Sixty Seconds”).

Taking on preposterous roles, like the supposedly coldblooded hit man of “Bangkok Dangerous” (“My name is Joe. . . . This is what I do . . .”), it’s clear that Cage would like to assume the mantle of Clint Eastwood. His character is a man of few words, he grimaces with irony-free disgust at the moral bottom-feeders of the world and he dispenses large-caliber justice. But Cage has never taken Dirty Harry’s advice: A man’s got to know his limitations. Cage isn’t a sex symbol and — stripped of the existential complexity of his early roles — he’s not that interesting to watch. Despite the fact that there are Nicolas Cage action figures available, watching his pursuit of action stardom has been like watching a Jack Russell terrier romance a Doberman.

But in an industry, and a town, where a movie is judged entirely by its profits, Cage is secure. “National Treasure: Book of Secrets” made more than $450 million worldwide, its predecessor, $348 million. “Gone in Sixty Seconds” made more internationally ($135 million) than domestically ($102 million). These are not the kind of figures that prompt a man to resume playing suicidal alcoholics. “Ghost Rider” probably made less money than people might have expected — $116 million here, $113 million there, according to boxofficemojo.com.

Does the average moviegoer care how much money Nicolas Cage makes? Probably more than he or she should; given the celebrity-besotted culture we live in, it’s inevitable. But it seems the unavoidable conclusion that Cage, once held up as an example of the intrepid artistic impulse, has become something of the poster boy for blind ambition, cynical role selection, questionable judgment and, worst of all, humorlessness: He glowers, he hunches, he looks meaningfully into the distance without it meaning anything at all.

If Cage were replaced tomorrow by Ben Stiller, we’d get all of the above plus a couple of laughs. Instead, we have an actor who used to be able to do something remarkable — overcome a lack of native charm by embracing his inner outsider, creating affectionate portraits of unlikely heroes, and soldiering on despite a seemingly unmerciful universe. It may not pay as well. But that’s a Nic Cage we could use.

Pandorum is an upcoming American science fiction horror film written by Travis Milloy and directed by Christian Alvart. The film stars Dennis Quaid and Ben Foster. Filming began in Berlin in August 2008. Pandorum is scheduled to be released on September 4, 2009..

Pandorum movie poster

According to Variety, “Pandorum… centers on two crewmen who awaken aboard their spacecraft unaware of their mission or identities and then make a discovery that threatens the survival of mankind

Pandorum was announced in May 2008 with Dennis Quaid and Ben Foster in lead roles. Christian Alvart was attached to direct the film, based on a script by Travis Milloy. The film was financed by Constantin Film through a joint venture deal with subsidiary Impact Pictures. The partnership helped fund the US$40 million production, as Constantin drew subsidies from Germany’s Medienboard Berlin-Brandenburg (MBB) regional film fund, the German Federal Film Board (FFA), and the German Federal Film Fund (DFFF). The German Federal Film Fund provided US$6 million to the production, the fund’s second-largest 2008 payout, after US$7.5 million for Ninja Assassin. Filming took place at Babelsberg Studios in Berlin in August 2008.

Summit Entertainment is handling foreign sales and will present Pandorum to buyers at the 2009 Cannes Film Festival. Due to Constantin’s involvement, the film will likely see a strong German release. Overture Films will distribute Pandorum in North America, Icon in the United Kingdom and Australia, Svensk in Scandinavia, and Movie Eye in Japan. The film is set up as a possible franchise, so if it performs strongly, Impact Pictures will greenlight sequels.

In Woody Allen’s film Vicky Cristina Barcelona, virtually everyone locks lips in order to slip each other the tongue. It just so happens that in the rush to French-kiss, Allen’s woody compelled the aging director to script a kiss between two of Hollywood’s most voluptuous and nubile starlets: Scarlett Johansson and Penelope Cruz.
Although the kiss between Scarlett Johansson and Penelope Cruz will no doubt have men popping wood around the globe, it would be premature to include their salacious kiss on this list of chicks kissing scenes. For the time being, however, we will confine ourselves to films that have been released, as we count down the 10 most erotic chicks kissing scenes. Keep in mind that these are film scenes, and we haven’t considered any pornography or erotica.

No.10 - Head in the Clouds (2004)

Penelope Cruz & Charlize Theron

Set in 1930s Europe, Head in the Clouds is a British/Canadian melodrama about the choices young lovers make when surrounded by political unrest. With the Spanish Civil War as the political backdrop, two passionate women (Penelope Cruz and Charlize Theron) find themselves living with a guy named Guy in Paris. One night, with Guy looking on and the ladies casually dressed in silk negligees, the ladies begin drunkenly consoling each other on the living room davenport. Soon enough, straps are sliding off shoulders, tears are streaming down powdered cheeks and the ladies are all over each other. It is a quick scene that ends after Theron’s character bites Cruz’s lip and the two are left with blood dripping from their lips.

No.9 - Chasing Amy (1997)

Joey Lauren Adams

The script for Kevin Smith’s third film, Chasing Amy, was inspired by his relationship with Joey Lauren Adams, who stars in the film as Alyssa Jones, a bisexual who Holden McNeil (Ben Affleck) can’t help but chase. The film is full of frank sexual banter, but from our chicks kissing point of view, the highlight occurs after Alyssa performs a song for her true love who, much to Holden’s shock and chagrin, turns out to be some random platinum-blonde dyke. The two ladies then proceed to suck face for the next few scenes, while Holden looks on in disbelief, and his buddy Banky (Jason Lee) applauds the hotness of finding himself in a dyke bar surrounded by girls who like girls.

No.8 - Bitter Moon (1992)

Emmanuelle Seigner & Kristin Scott Thomas

In Roman Polanski’s ultra-kinky film Bitter Moon, Fiona (Kristin Scott Thomas) and Nigel (Hugh Grant) play a straight-laced and repressed British couple whose conservative relationship is thrown overboard while on a cruise ship. The catalyst for the change is their encounter with Mimi (played by Emmanuelle Seigner) and Oscar, whose sadistic sexual past is the polar opposite of Fiona and Nigel’s. However, when Mimi, a seductive French woman, pulls the sexually unfulfilled Fiona onto the dance floor of a rocking ship, the two women lock hips and then lock lips. And as the scene ends, the ladies stroll past their respective husbands toward a cabin down below.

No.7 - Higher Learning (1995)

Jennifer Connelly & Kristy Swanson

Higher Learning is about the personal, the political and the racial. However, if we ignore the dramatic dilemmas facing the cast of university freshmen, we can focus on the sexual awakening that blossoms between Kristen (Kristy Swanson) and Taryn (Jennifer Connelly). While both are working for a women’s group, the girls discover that they may just be pitching for the other team, and so they kiss to seal the deal, and then retire to their dorm where they strip down to their panties and roll around in bed.

No.6 - Cruel Intentions (1999)

Selma Blair & Sarah Michelle Gellar

The famous kiss in Cruel Intentions is a lips-and-tongue close-up that leaves the naive Cecile (Selma Blair) wanting more. The trouble is, her high-society coach is Kathryn Merteuil (Sarah Michelle Gellar), a wealthy society girl who is only teaching Cecile how to kiss so that she will sleep around enough to damage her reputation. What better fodder could there be for a chicks kissing scene than a manipulative bitch and an innocent fox who’s as easy to mold as Silly Putty?

No.5 - Gia (1998)

Angelina Jolie & Elizabeth Mitchell

Gia is an HBO film that documented the rise and fall of Gia Carangi, one of America’s first supermodels. Angelina Jolie plays the voluptuous Gia, a tough and reckless woman from Philly who ventures to New York, willing to do whatever it takes to rise to the top of the modeling industry. It’s during her rise that Gia meets Linda (Elizabeth Mitchell), and the depiction of their steamy relationship is full of taut skin, luscious lips and licking tongues. Sadly, Gia also spent a fair bit of time shooting heroin, from which she contracted HIV and died by the time she was 26.

No.4 - The Hunger (1983)

Susan Sarandon & Catherine Deneuve

The Hunger is actually something of a horror flick based on the bizarre love triangle that emerges between a doctor (Susan Sarandon) and a chic vampire couple (David Bowie and Catherine Deneuve). Bowie’s character is John, who visits the doctor when he begins an accelerated aging process. The good doctor, intrigued by her patient’s unique symptoms, decides to visit John at his home where she is greeted by Myriam (Deneuve). Naturally, Myriam hungers for Dr. Sarah Roberts’ healthy blood. After a martini, a little small talk and some elegant shots of the two women, Sarandon wets her thin white T-shirt when she spills her drink over her breast, leading erotically to tender kisses on the good doctor’s lips and then all over her goose-bumped body. Finally, when the fatal bite comes, it is just as tender, as blood drips from Deneuve’s lips and appetizingly down Sarandon’s leg.

No.3 - Bound (1996)

Jennifer Tilly & Gina Gershon

Before the Wachowski brothers hit the jackpot with the Matrix trilogy, they released Bound, a neo-noir crime thriller that features one of cinema’s hottest chicks kissing scenes. The plot begins with the squeaky-voiced Violet (Jennifer Tilly) on the hunt for a way out of her relationship with her mob boyfriend. Enter ex-con Corky (Gina Gershon), a bull-dyke who happens to move in next door and is then commissioned to do some plumbing for the unhappy couple. Violet, desperate to get her own pipes running properly, sets out to seduce Corky and what a job she does. Dressed in black lingerie with cleavage that begs to be touched, she talks dirty, rubs the tattoo on her breast and then when Corky starts touching her, Violet pants and moans like a female tennis player. Finally, with Corky’s hand pressed firmly up her skirt, Violet pleads for a kiss.

No.2 - Wild Things (1998)

Denise Richards & Neve Campbell

Wild Things is downright ridiculous. Although it could be described as an erotic crime thriller, the plot is entirely too frivolous to call it anything other than first-rate eye candy. So when Suzie and Kelly (Neve Campbell and Denise Richards) find themselves in bikinis near the pool, we shouldn’t be surprised when a catfight breaks out and the girls finish in the pool where they kiss each other better. After all, the plot is only window dressing and an excuse for showing off the luscious curves of the two leading ladies.

No.1 - Mulholland Dr. (2001)

Naomi Watts & Laura Harring

David Lynch is an erotic filmmaker. In the old-school Greek sense of eros, Lynch withholds and conceals, teasing his audience with possibility rather than gratifying us with fulfillment. So, when it comes to filming the sexually erotic, Lynch knows how to build a seductive mood, leaving his audience on the verge, lusting for more.

In Mulholland Dr., Naomi Watts plays a naive blonde who’s desperate for Hollywood success, while Laura Harring is an amnesiac who can’t recall whether she’s ever made love with a woman. In a sense, the scene captures the allure of self-discovery by bringing the innocent blonde and the innocent brunette together. It’s like Betty and Veronica coming of age by choosing each other over that freckled loser Archie.

Bankers and investors are probably among the most hated people around right now. So why not make yourself feel a bit better and watch those financial suits go bankrupt, get robbed or reveal their homicidal tendencies hollywood style!

Credit crunch. Global recession. Whatever you call it, there’s a lot less expendable cash around right now and lots of people are very nervous about the future. More and more people are opting not to go out and spend money on theatre tickets and expensive dinners. Instead, they’re staying in with a movie and a bottle of wine.

But what movies to watch during this time of financial crisis? Given much of the blame is placed on the banks for getting us into this mess, perhaps it’s the perfect time to take stock of some of the greatest banking movies of all time. In many of these films reviewed below the people who are for the banks end up becoming figures of fun, so sit back, open your popcorn, and have a good laugh at some unlucky bankers losing loads of money.

1. Other People’s Money (1991)

Danny DeVito plays Larry the Liquidator, a super-rich, arrogant, greedy, self-centred and ruthless business man. He’s the perfect character for a comedy banking movie. As he threatens a hostile take-over of a family-run company, the patriarch of the company enlists the help of his wife’s daughter, who is a lawyer, to try and protect their interests.

Larry enjoys sparring with her legal prowess, but does also fall for her. Of course he does – this is a comedy, right? In the end he has to decide whether he’s driven most by love or money. Director: Norman Jewison Stars: Danny DeVito, Gregory Peck, Penelope Ann Miller

2. Wall Street (1987)

Bud Fox (Charlie Sheen) is an ambitious Wall Street stockbroker in the 1980s. Any spare time he has is spent working an on angle with which to approach the high-powered, extremely successful broker Gordon Gekko (Michael Douglas). Fox finally meets with the greedy Gekko, who takes the youth under his wing and explains his philosophy: Greed is Good.

Taking this advice and working closely with Gekko, Fox soon finds himself swept into a world of yuppies, shady business deals, fast money, and fast women – something at odds with his family values. Director: Oliver Stone Stars: Charlie Sheen, Martin Sheen, Michael Douglas

3. Rogue Trader (1999)

This movie charts the true story of Barings Bank clerk and ambitious wide-boy Nick Leeson. Through a series of peculiar coincidences, he finds himself in Singapore setting up the bank’s future options trading operation. To save money Barings allows Nick to operate both the floor trading and the back office facilities and forces him to employ cheap, unskilled staff. Of course, Nick breaks trading rules and secretly covers up some losses, but his initial reports back to the bank are of success.

Given more freedom, even more money and continuing unchecked, Nick makes bigger losses and again attempts to trade out of them. But after a series of huge losses and irresponsible gambling of other people’s money he manages to bankrupt the entire institution. A lesson in how not to trade. Director: James Dearden Stars: Ewan McGregor, Anna Friel

4. Boiler Room (2000)

Seth Davis (Giovanni Ribisi) is an enterprising college dropout, running his own small illegal casino. The disapproval of his domineering father leads Seth to a career change into the investment business with a bunch of cocky, young Turks who seem to be making a lot more money than they should on mysterious investments pushed through aggressive cold calling.

At the same time, he finds a relationship forming with firm secretary, Abbie (Nia Long), who as luck would have it, was also formerly pursued by his new boss, which adds to the tensions of the high pressure job and mysterious profits. Director: Ben Younger Stars: Ben Affleck, Vin Diesel, Giovani Ribisi, Nia Long

5. The Italian Job (1969)

Everyone loves a good bank robbery movie, of which the The Italian Job is quite possibly the finest and most famous.

This infamous comedy movie tells the story of an ex-con who tries to steal $4 million in gold by causing a major traffic jam in the centre of Turin.

With its mini coopers, jaguars, bus and famous one-liners, this is a true British film classic. Director: Peter Collinson Stars: Michael Caine, Noel Coward

6. Pursuit of Happyness (2006)

This true story is set in San Francisco in 1981. Christopher Gardner has big dreams for his family, but it just never seems to work out. He invests the family savings in new bone-density scanning technology – apparatus twice as expensive as x-ray with practically the same resolution.

The white elephant financially breaks the family, bringing troubles to Gardner’s relationship with his wife. Without money and wife, but totally committed with his son, Christopher sees the chance to fight for a stockbroker internship position at Dean Witter, disputing for one career in the end of six months training period without any salary with other twenty candidates. Meanwhile, homeless, he has all sorts of difficulties with his son. Does he find happiness? Director: Gabriele Muccino Stars: Will Smith, Thandie Newton, Dan Castellaneta

7. American Psycho (2000)

This isn’t necessarily a banking movie, more a movie about a banking character. Patrick Bateman (Christian Bale) is a wealthy 26-year-old, succesful investment banker in New York. He’s well-educated, intelligent and has more money than he knows what to do with: this is a guy who couldn’t care any less about cash back credit cards.

But there’s a terrible dark side to his personality as by night he turns into a homicidal monster whose hatred for the world leads him into murderous chaos. The movie is based on a novel by Brett Easton Ellis. The graphic scenes of sex and violence in the movie are much more tame than in the original book. Director: Mary Harron Stars: Christian Bale, Reese Witherspoon, Jared Leto

8. Barbarians at the Gate (1993)

This comedy television movie tells the story of an eager tobacco business CEO who plans to buy out the rest of the shareholders in his firm. After a series of confusing deals and potential takeovers, the tenders get messier (and funnier) as the zeros keep getting added. The film follows the actual takeover of the RJR Nabisco empire in a tongue in cheek way. The film’s tagline was, aptly: after a power breakfast they’ll still eat you for lunch. Director: Glenn Jordan Stars: James Garner, Jonathan Pryce

9. Bonnie and Clyde (1967)

Bonnie (small town girl) and Clyde (drifting bank robber) dream of lives that will free them from the Depression of the 1920s. The two fall in love and begin a banking crime spree from Oklahoma to Texas. They rob small banks with skill and panache, soon becoming minor celebrities known across the country.

People are proud to have been held up by Bonnie and Clyde: to their victims, the duo is doing what nobody else has the guts to do, but to the law, the two are evil bank robbers who deserve to be gunned down where they stand. An American classic. Director: Arthur Penn Stars: Warren Featty, Faye Dunnaway, Gene Hackman

10. The Bank Job (2008)

In September 1971, thieves tunneled into the vault of a bank in London’s Baker Street and looted safe deposit boxes of cash and jewelry worth over three million pounds. None of it was recovered. Nobody was ever arrested. The robbery made headlines for a few days and then disappeared – the result of a ‘D’ Notice, gagging the press. This film reveals what was hidden for the first time. The story involves murder, corruption and a sex scandal with links to the Royal Family – a story in which the thieves were the most innocent people involved.

VIA