Many of you probably only remember Bill Cosby from The Bill Cosby Show, as host of Kids Say the Darndest Things or simply as a Jello salesman. But that’d be like judging Def Leppard entirely on their career after losing a guitar player and a drummer’s arm – it misses all the best stuff.

Originally from North Philly, Cosby got his start in comedy working as a bartender, telling jokes to up his tips. He was soon being booked at bars in Philadelphia and New York, landing a spot at the Gaslight Cafe in 1962. By ‘64, he’d toured the entire US and released his first comedy album, Bill Cosby Is a Very Funny Fellow…Right!, which highlights the humor of his childhood rather than focusing on the raunchier sides of life. And while Cosby remains righteous in his promotion of family values, the son-of-a-b***h can still tell a joke.

Robin Harris

Known for his hard-hitting humor and quick put-downs, Robin Harris big-eyed act began developing a mainstream following in 1985. His recurring “Bébé’s Kids” act, based on having to take his girlfriend’s three punkass kids with them on vacation, became his best-known and was scheduled to be made into a movie before Harris died from a heart attack in 1990. In addition to his stand-up performances, Harris debuted his acting career in ghetto-acclaimed, I’m Gonna Git You Sucka and played “Sweet Dick Willy” in Spike Lee’s classic, Do the Right Thing.

Chris Rock

Voted the fifth greatest comedian of all time, Chris Rock is a modern-day comedic powerhouse, with scorching social commentary that cuts straight through the bullsh*t.

After a few minor roles in movies like Beverly Hills Cop II, a stint on Saturday Night Live and the success of New Jack City, Rock landed his first HBO special, Big Ass Jokes, which first aired in 1994.

Since then, he’s produced five hit HBO specials, had his own television show and stared in scores of movies.

Eddie Murphy

Despite coming out with some real pieces of c**p movies later in life, Eddie Murphy is one of the most talented comedians of all time. From his early stand-ups like Delirious and Raw to his swath of movies like Trading Places, Beverly Hills Cop and Coming to America, Eddie Murphy’s ability to rip apart people from all walks of life while still being gut-bustingly hilarious has made him one of the most copied comedians in history. And he’s currently ranked as the highest grossing film star in history, with 33 films grossing a total of $3.4 billion just in the U.S.

Dave Chappelle

Before fame (and a $50 million contract) made him lose his mind and run off to Africa, Dave Chappelle was on the fast track to becoming one of the biggest stars on television.

By the second season “The Chappelle Show” took off, making him the funniest man in America, and causing every single person you know to run around saying “I’m Rick James, bi**h!” every 10 f**king seconds.

Thanks, Dave…

Redd Fox

Best known for his role on the television series Sanford and Son, Redd Fox is a godfather of modern comedy.

With what was considered one of the raunchiest stand-up acts of his day.

The subversive topics and language changed how people viewed stand-up comedy, and came to pave the way for later greats like Richard Pryor, Eddie Murphy, Dave Chappelle and Chris Rock.

Richard Pryor

Laugh Messiah, The One, the Godfather of Comedy – this guy did it all, from writing to acting to his imfamous stand-up acts, Richard Pryor was what we call a “comedic genius”. And if you haven’t ever heard his stand-up acts, take the time to study them. Listen closely, and you’ll probably hear every joke any commedian’s told in the past 25 years. His storytelling style and liberal use of vulgar language and racial epiphets are so integrated with modern comedy, it’s hard to imagine how there were jokes before this guy got on a stage.

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2. The digital television signal can transmit pictures composed of up to 1,080 lines. That’s a long way from the first TV, demonstrated by John Logie Baird in 1926. It used just 30 lines to create a coarse image.

3. Baird’s television looked like a peep-show device, held together with scrap wood, darning needles, string, and sealing wax. His invention was partly mechanical, relying on a spinning metal disk with a spiral of holes to chop up images for transmission.

4. Two years later, Baird demonstrated color television, but black-and-white TV ruled for decades. People who watched such television as kids are more likely to dream in black and white than those who grew up with color TV.

5. Yes, it existed before Monty Python. On August 22, 1932, the BBC began regular broad­casts using the Baird system.

6.  By 1935 there were some 2,000 Baird TVs in use. They cost £26 each—the equivalent of $7,700 today.

7.  The largest plasma TV now available, a 103-inch monster made by Panasonic, will set you back $70,000.

8. Are television execs playing with hellfire? The inventor of all-electronic TV, Philo T. Farnsworth, called television a gift from the Lord and warned that “God will hold accountable those who utilize this divine instrument.”

9. By the age of 14, the average American child has seen 11,000 murders on TV.

10. The first television advertisement, broadcast in New York on July 1, 1941, was a 20-second Bulova Watch spot that aired before a baseball game between the Brooklyn Dodgers and the Philadelphia Phillies. The cost for the air buy was $9.

11. In 2008 the average cost for a 30-second spot during the Super Bowl broadcast was $2.7 million, the most expensive airtime in the world.

12. Still trying: Last March, 80 years and a lot of cardboard glasses after the first experiments, the BBC once again tested a 3-D TV system—this time on 200 sports fans watching a special broadcast of a live rugby match.

13.  Bad show: In August 2006 NASA announced that it had lost all the original tapes of Apollo 11’s TV transmission.

14. Gift of the gab? The long­est-running talk show in the world is either Ireland’s Late Late Show, first broadcast in 1962, or The Tonight Show, which began in 1954.

15. The debate over which show came first arises because The Tonight Show’s format and style didn’t settle down until Johnny Carson’s arrival a few months after The Late Late Show began airing.

16.  When Sony started selling VCRs that could tape television shows in the 1970s, film studios sued it for promoting copyright piracy. The Supreme Court ultimately backed Sony, enshrining everyone’s right to time-shift the Survivor finale.

17.  Is TV doomed? The amount of video delivered by the Internet and viewed on computers is rapidly increasing: 7.5 billion video streams were watched in May 2008.

18.  We are amused: Fifty years after her first televised Christmas address to the people of the U.K., Queen Elizabeth II launched her own YouTube channel.

19. About 36 percent (and rising) of cell phone users can now watch video beamed directly to their phones.

20. We can guess what they’ll be watching: A survey of 20 countries revealed that CSI: Miami is the most popular show on the planet.

Well… this got my friends and me thinking about other basically identical movies that came at basically identical times. And, without too much trouble, I was able to find 11 cases of shockingly similar movies that were released within months of each other.

Here are comparisons of each of those sets of movies. In each breakdown, I reference the Rotten Tomatoes score — if you’re unfamiliar, Rotten Tomatoes is a site that aggregates all the reviews for a movie and gives the movie a score based on what percentage of the reviews are positive.

• “Deep Impact” (May 8, 1998) and “Armageddon” (July 1, 1998)

Two movies about large space objects (a comet and asteroid, respectively) hurtling toward Earth and a small group of heroic astronauts, seemingly average people and government officials uniting to save mankind before it’s too late.

Critical success. “Deep Impact” got a 46 percent on Rotten Tomatoes (which was a pretty good score for a ’90s blockbuster). “Armageddon” got a 40 percent on Rotten Tomatoes; James Sanford of James Sanford on Film said, “Breathless and utterly brainless… makes the similarly-themed and much more sentimental ‘Deep Impact’ look like ‘Schindler’s List’ by comparison.”

Commercial success. “Deep Impact” had less hype and made less money, $140.5 million to “Armageddon’s” $201.6 million.

Biggest difference. In “Deep Impact” part of the comet actually hits Earth. In “Armageddon” Bruce Willis’s martyr-ific sacrifice atop the asteroid totally saves the day.

Winner? “Deep Impact” was a better movie (ask a lot of people — they’ll tell you that “Deep Impact” made them cry), but “Armageddon” did better in the moment and has seemingly held the mantle for shit-hitting-Earth films ever since.

I blame that damn Aerosmith song… the version where in between Steven Tyler wailing about not wanting to close his eyes or go to sleep there’s voiceover of Ben Affleck talking about animal crackers.

• “Chasing Liberty” (January 9, 2004) and “First Daughter” (September 24, 2004)

Two movies about the 18-year-old daughter of the President of the United States (Mandy Moore and Katie Holmes, respectively) becoming so frustrated with her constant protection and her presidential father’s over-protectiveness that she can’t take it any more and decides to rebel… right into the arms of a tall, handsome gentleman. But that gentleman has a secret (in BOTH EFFING CASES, he’s an undercover secret service agent), and the first daughter is about to get more than she bargained for.

Critical success. “Chasing Liberty” pulled in only 19 percent on Rotten Tomatoes. But “First Daughter” was way cheesier and did even worse, at a remarkable NINE percent.

Commercial success. “Chasing Liberty” made $12.2 million (and cost $23 million to make). “First Daughter” made even less, at $9.1 million (and cost $30 million to make).

Biggest difference. As my friend Adam put it, “‘Chasing Liberty’ is like taking the plot of ‘First Daughter’ and the plot of ‘Eurotrip’ and mashing them together.” Also, for some reason, in “Chasing Liberty”, they threw in a huge subplot about Jeremy Piven (as a secret service agent) falling in love with another secret service agent.

Winner? I guess it’s “Chasing Liberty” by every measure — although it’s more like “Chasing Liberty” sucked slightly less than “First Daughter”… not “Chasing Liberty” was a better film than “First Daughter”.

• “The Illusionist” (September 1, 2006) and “The Prestige” (October 20, 2006)

Two critically-acclaimed period pieces, set in Europe, that explore the world of seemingly-supernatural magic and it’s role in life-or-death rivalries.

Critical success. “The Illusionist” got a 74 percent on Rotten Tomatoes and an Oscar nomination for best cinematography. “The Prestige” got a 75 percent on Rotten Tomatoes and two Oscar nominations — one for art direction, one for cinematography. (Both lost the cinematography category to “Pan’s Labyrinth” by the way.)

Commercial success. “The Illusionist” made $39.8 million, “The Prestige” made $53 million, so neither was any kind of real huge box office success.

Biggest difference. While both seem to feature supernatural magic, only “The Prestige” actually does — when Hugh Jackman’s magician character meets Nikola Tesla (played by David Bowie) and uses a machine he created to do actual teleportation. (Or, at least, matter replication. Or something. I was half-asleep when I watched both of these.)

Winner? I saw both of these movies about two years ago and the only one that really stuck with me was “The Prestige”… I remembered the twist, the magic and the whole strange Tesla angle. Also, “The Illusionist” is one of those films from the phoning-it-in period of Ed Norton’s career.

• “Antz” (October 2, 1998) and “A Bug’s Life” (November 25, 1998)

Two computer-animated films about ant colonies… specifically one seemingly-generic ant who has more heroism inside of him than anyone every could’ve imagined… and who, over the course of the movie, leaves the colony, channels his heroics into defeating other insect enemies (termites, caterpillers, evil ants), and, ultimately, is responsible for the betterment of the colony as a whole.

Critical success. “Antz” was a huge critical success — 95 percent on Rotten Tomatoes. “A Bug’s Life” did almost as well, at 91 percent… and got one Oscar nomination, for best original music.

Commercial success. “Antz” brought in $90.6 million for Dreamworks… “A Bug’s Life” rode the Disney/Pixar machine to whoop it, with $162.8 million.

Biggest difference. The plots of the movie, outside of being set against ant colony backdrops and featuring unlikely everyman heroes, are fairly different. “Antz” has a whole communism/democracy angle and a crazy love story… “A Bug’s Life” is kinda like an animated “Three Amigos”. Winner? “A Bug’s Life” had more success but, like the “Deep Impact”/”Armageddon” battle, I really think “Antz” was a smarter, better movie.

• “The Truman Show” (June 5, 1998) and “EdTV” (March 26, 1999)

Two movies that show both the upsides and downsides of having cameras broadcasting your every move to millions of captivated Americans. Can any relationship be real? Can you really fall in love? And ultimately, just how far would you go to get away from the cameras and get the sweet, sweet freedom of privacy?

Critical success. “The Truman Show” — which is probably Jim Carrey’s best dramatic role ever (with apologies to my friend Steve who, for some reason, is obsessed with “The Majestic”) — got a 95 percent on Rotten Tomatoes. It also got three Oscar nominations (including best original screenplay and best director); and both Jim Carrey and Ed Harris won Golden Globes for their acting.

“EdTV” did significantly worse, with a 63 percent on Rotten Tomatoes and its only award nod being a 1999 Teen Choice Award nomination for sexiest love scene (between Elizabeth Hurley and Matthew McConaughey). And they ended up losing to Freddie Prinze Jr. and Rachael Leigh Cook in “She’s All That”… which, best I can recall, never escalated beyond a kiss in the backyard. So… yikes.

Commercial success. “Truman Show” did better than I would’ve guessed, making $125.6 million. “EdTV” did worse than I expected, making $22.4 million.

Biggest difference. There’s a fundamental plot difference between the two movies — in “Truman Show”, Jim Carrey is born into the reality show and doesn’t know he’s part of a show; in “EdTV”, Matthew McConaughey chooses to sign up for the reality show, not realizing the potential downside.

Beyond that, the movies have seriously different gravitas — “EdTV” is an entertaining little movie that never makes you to nervous or unsettled because you know, ultimately, the character will be ok. “Truman Show” can actually send you spiraling into an existential crisis and eff up your mind.

Winner? “Truman Show” easily won every battle. Since it’s the few weeks of the year right now where people watch college basketball, I’ll put this into March Madness terms. While it’s not a one seed versus 16 squash (“EdTV” isn’t THAT bad)… it’s like a two seed versus a 15. And “Truman Show” is no Arizona.

• “Saving Private Ryan” (July 24, 1998) and “The Thin Red Line” (January 15, 1999)

Two World War Two epics featuring a man surprisingly thrust into the role of heroism in a fool’s errand… and his ultimate bravery and sacrifice to fulfill that errand, defeat America’s enemies in a smaller battle, and serve as a metaphor for the humanity it took to win the war.

Critical success. “Saving Private Ryan” got a 94 percent on Rotten Tomatoes — and, of course, got 11 Oscar nominations and won five (but lost Best Picture to “Shakespeare In Love”). The critics liked “The Thin Red Line” but not as much, at 78 percent on Rotten Tomatoes. It also got a lot of Oscar nominations — seven, believe it or not, including one for Best Picture — but it lost all seven.

Commercial success. “Saving Private Ryan” made a freaking fortune, at $216.1 million. “The Thin Red Line” made one-SIXTH of that, at $36.4 million.

Winner? There’s no way to possible pick “Thin Red Line”… “Saving Private Ryan” was a better movie, made more money, had a better response AND inspired a better porn knockoff title. “Shaving Ryan’s Privates” is a classic title. Did “The Thin Red Line” even inspire a porn movie?

• “Mission to Mars” (March 10, 2000) and “Red Planet” (November 10, 2000)

Two futuristic movies about manned missions to Mars after some strange developments arise regarding the potential for life on the planet. The all male with one female crews crash on Mars, sustain deaths as they travel across the planet, find sources of oxygen and make shocking discoveries regarding unexpected life on Mars.

Critical success. Both movies were pretty widely panned — “Mission to Mars” got a 23 percent on Rotten Tomatoes; “Red Planet” did even worse, with 13 percent.

Commercial success. “Mission to Mars” lost about $30 million — its budget was $90 million and it took in $60.8 million. “Red Planet” lost almost twice as much — its budget was $75 million and it took in $17.5 million. Overall, that means, in the year 2000, Hollywood had $165 million invested in Mars movies and America responded by paying less than half of that to watch them.

Biggest difference. The life on Mars. (Wow, I could make my second David Bowie reference of this list here. Homeboy is everywhere today!) In “Mission to Mars” it’s an actual martian, in “Red Planet” it’s blood- and algae-hungry insects. Oh… um… spoiler alert. Sorry. I’m guessing if you haven’t seen either of these in the past nine years you’re not going to start now. Plus, since these movies are so interchangeable, when you do watch you’ll forget which film features which life form, guaranteed.

Winner? It’s a real push here. I’ll go with “Mission to Mars” as a slightly better film because “Red Planet” gets way too deep up its own ass trying to wedge a huge philosophical/religious/spiritual debate angle into what should just be a disposable blockbuster-type movie.

• “Iron Eagle” (January 17, 1986) and “Top Gun” (May 16, 1986)

Two movies about young hotshots with incredible, innate fighter pilot skills (partially thanks to their fighter pilot dads) fighting incredible odds and challenges to take down enemy planes, avenge the deaths of those close to them, and realize their own fighter pilot destinies in the name of their fathers.

Critical success. “Iron Eagle” has one of the most ridiculous plots ever — a high school student, his buddies and a retired pilot steal Air Force fighters and successfully take on the entire fleet of an unnamed EVIL Muslim country. “Top Gun” isn’t un-ridiculous… but it might — might — just be slightly more grounded in realism. Neither is available on Rotten Tomatoes (it doesn’t go back that far)… but I’d be willing to bet a lot of money that “Top Gun” got a better reception than “Iron Eagle”.

Commercial success. “Iron Eagle” made just $24 million during its brief time in theaters. “Top Gun” did exponentially better than that, making $176 million.

Biggest difference. Other than the basics I laid out at the top of this point, these movies are fairly different. To me, what stands out is how they view the military: “Top Gun” glamorized it, “Iron Eagle” made the Air Force look like bumbling, bureaucratic amateurs. “Top Gun” ended up increasing Air Force and Navy recruiting numbers; “Iron Eagle”… well… I don’t think it was influential either way.

Winner? It’s weird. By every quantitative measure it’d have to be “Top Gun”. Except that I haven’t watched either movie in at least a decade and, after writing this, all I want to do is watch “Iron Eagle” again. It’s such a great ’80s movie, such escapism, such a male fantasy. So I’m not willing to declare a winner. You can do that if you’d like.

• “Dante’s Peak” (February 7, 1997) and “Volcano” (April 25, 1997)

An experienced but troubled hero is responsible for pulling a city, a love interest and at least one child out of trouble when an impending volcanic eruption threatens to destroy that city. Both are able to at least somewhat minimize the damage of the eruption and save lives in the face of doubting and difficult bureaucrats, although many casualties are claimed along the way… and both volcanoes [is that really how it's spelled?] are deemed ongoing, active threats at the end of the movies.

Critical success. “Dante’s Peak” didn’t do particularly well on Rotten Tomatoes, at just 32 percent. “Volcano” did a bit better, at 42 percent.

Commercial success. “Dante’s Peak” ended up making $67.2 million (and cost more than $100 million to make). “Volcano” only made $47.5 million (and cost more than $90 million to make). So both pretty much flopped.

Biggest difference. Easy. “Dante’s Peak” takes place in a small town in Washington… “Volcano” takes out the freaking city of Los Angeles when a volcano springs up out of the La Brea Tar Pits.

Winner? The spectacle of “Volcano” is much greater… lava tearing up L.A. is pretty stunning. But “Dante’s Peak” always feels like a better movie. It’s also more memorable… strangely enough, because it’s title is unique. Naming a movie “Volcano” is so lame. I hate when movies have titles like that. Things like “Push” or “Go!” or “Someone Like You”. Generic-ass bullshit.

That rant sure came out of nowhere. Perhaps I’ve started going insane as I’m now going on like hour five of writing this list.

• “Tombstone” (December 25, 1993) and “Wyatt Earp” (June 24, 1994)

Two fictionalized biopics about Wyatt Earp. Both focus on his family and romantic relationships, his friendship with Doc Holliday, the battle at the O.K. Corral and his vendetta against the Cowboys.

Critical success. “Tombstone” was a pretty badass movie — I remember watching it in the theater at age 14 and recognizing that — and the critics liked it too. It got a 79 percent at Rotten Tomatoes. “Wyatt Earp” was a 191-minute “Waterworld”-era Kevin Costner movie that only got a 42 percent.

Commercial success. “Tombstone” made $56.5 million at the box office (and cost $25 million to make); “Wyatt Earp” made $25.1 million (and cost $63 million to make).

Biggest difference. “Wyatt Earp” spends a LONG time focusing on Earp’s back story and youth and all the boring shit in his life and somehow, in 191 minutes, can’t find time for more than a montage of his Vengence Ride. “Tombstone” only focuses on the highlights — the O.K. Corral and the aftermath.

Basically, “Wyatt Earp” would be like making a Michael Jordan biopic and focusing on his elementary school years, some of his time at UNC, the loss to the Pistons in the Eastern Conference Finals… then doing a montage of his six championships… and ending the movie squarely focused on his two seasons with the Wizards or the time he drafted Kwame Brown. And having the role of Michael Jordan played by Kevin Costner.

Winner? In the biggest landslide on this list, “Tombstone”.

• “DeepStar Six” (January 13, 1989); “Leviathan” (March 17, 1989); and “The Abyss” (August 9, 1989)

1. A group of people on an underwater mission encounter dangerous, unidentified creatures that put their lives in serious peril, changing their mission to “survive!” (I tried to write that one in my corniest, most Leonard Maltin-ish way yet. Couldn’t help myself. Again, I’ve been working on this list longer than I ever thought.)Critical success. “The Abyss” did really well — with the highest budget, best effects and best writing, it got 82 percent on Rotten Tomatoes. It also got four Oscar nominations. “Leviathan” didn’t do even CLOSE to that well, at just 11 percent. As for “Deepstar Six”… well, Rotten Tomatoes only has six aggregated reviews for it and they’re all negative… so that’s a big fat zero percent.Commercial success. “Deepstar Six” made $8 million. “Leviathan” made $15.7 million. “The Abyss” made $54.2 million… a lot more than the others… but still about $15 million less than its budget.Biggest difference. This one’s easy: In “The Abyss”, the creatures aren’t evil. In fact, they save Ed Harris’s life. In the other movies, they’re straight bad.

   Winner? The amazing thing about the 1989 battle of underwater creature movies is that these weren’t the only three. They’re the most high-profile but two other underwater man-versus-creature movies were released that year too: “Evil Below” and “Lords of the Deep”.

   Still, of all five, odds are, “The Abyss” is the only one you’ve heard of… and it was the only one that made any real money or had any real success. So it definitely won the battle. And also helped launch James Cameron’s future successful trips back to the water (like “Titanic”) and less successful ones (his Joaquin Phoenix-esque meltdown that led him to quite making real movies and only shoot 3-D underwater IMAX films for several years).

Honorable mention goes out to “Capote” and “Infamous”; “Alexander” and “Troy”; “Prefontaine” and “Without Limits”; “Madagascar” and “The Wild”; and “1492: Conquest of Paradise” and “Christopher Columbus: The Discovery”.

And if I’m ever masochistic enough to do this enough for TV shows, I promise I’ll lead off with “Supernanny” and “Nanny 911″.

Via: 11points.com

If you want to see full list please go to COED Magazine.  Thank you!